Kizomba is also performed in other lusophone African countries, in Europe and in the USA. It is known for having a slow, insistent, somewhat harsh, yet sensuous rhythm; the result of electronic percussion. It is danced accompanied by a partner, very smoothly, slowly and sensuously, and with neither tightness nor rigidity. There are frequent simultaneous hip rotations coordinated between dance partners, particularly in the quieter refrains of the music.
Countries where kizomba is most popular include Angola, Guinea-Bissau, Cape Verde, Portugal, Mozambique, Equatorial Guinea, São Tomé and Príncipe, East Timor, Brazil and the territory of Macau. Several individuals with a love of the Kizomba culture have been promoting it in other countries, such as Belgium and surrounding nations, where an independent KizombaLove academy has been created by José N’dongala.
Famous Angolan kizomba singers include Bonga, André Mingas, Liceu Vieira Dias, Neide Van-Dúnem,Don Kikas, Calo Pascoal, Heavy C., Puto Portugues, Maya Cool, Matias Damasio, Rei Helder, and Irmãos Verdades.
The influence of Angolan kizomba is felt in most Portuguese-speaking African countries, but also Portugal (especially in Lisbon and surrounding suburbs such as Amadora or Almada), where communities of immigrants have established clubs centered on the genre in a renewed kizomba style. Kizomba is now also quite popular among white people that come to these clubs in growing numbers. The São Tomean kizomba music is very similar to the Angolan, Juka being the most notable among the Sãotomeans, and also one of the most notable performers in the genre.
In Angola most clubs are based in Luanda. Famous Angolan kizomba musicians include Neide Van-Dúnem, Don Kikas, C4 Pedro, Calo Pascoal, Irmãos Verdades and Anselmo Ralph, among many others, but Bonga is probably the best known Angolan artist, having helped popularize the style both in Angola and Portugal during the 1970s and 1980s.